SO YOU’RE TELLING ME
THAT THESE GUYS
ARE 15 IN THIS MOVIE?!
I’M OLDER THAN THEM OH MY GOD
Omg, imagine when they’re fully grown how they’ll look and act! O_O (OMGPLEASEMAKESEQUELSPLEASEPLEASEPLEASE)
Leonardo (Blue): Blue is the color of the sky and sea. It is often associated with depth and stability. It symbolizes trust, loyalty , honesty, confidence ,honor, intelligence, faith,truth and LEADERSHIP.
Donatello (Purple): Purple combines the stability of blue and the energy of red . It symbolizes nobility, luxury and ambition. It conveys extravagance and wealth. It is widely associated with WISDOM, dignity , independence ,creativity , mystery and magic.
Raphael (Red): Red is the color of fire and blood, so it is associated with energy , war , action, assertiveness , confidence , power and DETERMINATION.Ambitious and competitive and like to be the winner - they are achievement orientated and second place is not good enough for them. With them it is all or nothing.
Michelangelo (Orange):The color orange radiates warmth and glee, combining the physical energy and stimulation of red with the cheerfulness of yellow.With its ENTHUSIASM for life, the color orange relates to adventure and risk-taking, inspiring physical confidence, competition and independence.
aka “All byyyyy myyyseeeEyeeeef..”
Art (c) JBadgr
Leo can appear uptight and overbearing in his leadership role, and this sometimes causes his brothers to unabashedly tease him for it. WORDS HURT, GUYS. WORDS
Oh, man— but did this pic ever produce the greatest livestream ever. I accidentally cropped out a lot of the humiliating background plot to this pic including: his Celine Dion thigh tattoo, his #1 fan, bros having an awesome party w/o him but w/ Raph’s mouth-breathing creeper, and more!
Til’ next time! <33 Jess
50 Shades of Abuse Flyer - Canada
Use, redistribute, print.
Click image and magnify for large version.
Okay. I understood all the flack Twilight got for being an abusive relationship. Because it was and it was being read by a very young and impressionable audience. But ffs, 50 Shades is an ADULT NOVEL. Iit is about a BDSM couple. Which - newsflash - do exist. It is a completely consensual form of dominate/submissive sex play. The whole concept of domestic violence and abuse is that one side exerts control over an unwilling victim. I don’t recall Anastasia, or whatever she’s called, protesting to Christian’s form of sex. If I remember correctly, she quite enjoyed it! So before you condemn a work of romanticized fiction, actually consider it’s audience and remember that they are mature and capable enough to know the difference between reality and fiction.
so i guess you didn’t read the parts where he coerces her and the part where he continues after she has used her safeword and acts like a fucking creep whenever they aren’t having sex
it is the worst possible introduction to BDSM i could imagine
i know my shit okay
im hoping the people defending this book are 1. never getting into BDSM 2. not currently into BDSM 3. havent read the book bc i dont want to believe anyone is that fucking stupid
knowledge on you right now.
Wanna know the BDSM mantra? Safe, sane, consensual.
So let me explain why this book was devoid of all three of these things.
Safe - In the first few chapters of the novel, Christian Grey tracks Ana’s cell phone to find her at a club. Takes her home when she’s drunk, changes her when she’s so intoxicated she doesn’t remember him doing so,and informs her he will be keeping tabs on her for her own benefit. This is not the behaviour of a respectable Dominant. This is the behaviour of a power hungry, abusive asshole who really can’t take no for an answer.
Sane - One of the most important parts of BDSM is aftercare. Scenes can be extremely traumatizing and intense for the submissive. Aftercare is anything from petting to cuddling to holding to sweet talking, whatever degree of gentleness a bottom would need to pull them out of “subspace”. How does Christian provide aftercare? He submits Ana to a traumatizing first time spanking experience AND THEN FUCKING LEAVES. AND GETS MAD THAT SHE DIDN’T TELL HIM SHE WAS UPSET. He’s the one who should fucking know better! That, again, is not the act of a responsible Dominant. It’s the act of a selfish abuser.
Consensual - Did I mention he undressed her when she was belligerently drunk? Tracked her phone to locate her? He also buys her a new car despite her saying no countless times. Now, consent is important for any kind of sexual activity at all. Consent means informed, consent means enthusiastic. Informed, enthusiastic consent. This is crucial in a BDSM setting. Scenes can be extremely intense, especially for the bottom. What is Christian’s form of obtaining consent? Handing Ana a fucking contract highlighting all the things he wants to do her asshole and asking her to sign it. She was a virgin (Don’t even get me fucking started.) who had never before been exposed to BDSM. Entering in that kind of relationship takes a gargantuan amount of trust and knowledge so you know exactly what you’re getting into. Not reading a list of kinks on a piece of paper and signing your rights to say no away. Christian didn’t offer her resources, he didn’t offer her information. He gave her an ultimatum. That is not the sort of consent a responsible Dom/me would seek from their submissive.
Fuck. This. book. It’s written in a shitty way, it’s a terrible example of a BDSM relationship (ask anybody already involved in the lifestyle and watch them go blue in the face just thinking about it), which is already faced with enough prejudice and misunderstand, and it romanticizes and glorifies abuse.
I will never read this book. How awful!
who is on your team, captain?
We understand you Chris…
Remember this? 2nd greatest Comic Con ever…the Loki cosplay “world domination”/”where are your Avengers now?” speech will forever be #1. Jussayin’. <3
this was the greatest joke I have ever heard
Avengers Assemble 1x17 - Savages [x]
I WAS ALL SET TO BE MAD THAT THEY WERE MAKING THOR A BIG, DESTRUCTIVE, DUMB IDIOT.
HE’S JUST AN OBNOXIOUS DICK WHO THINKS IT’S FUNNY TO CALL LIGHTNING IN THROUGH THE WINDOW TO MAKE POPCORN AND TOTALLY WRECK ALL OF TONY’S SHIT.
AND THE HULK SUGGESTING THINGS TO DO NEXT. I LOST MY FUCKING SHIT AND I’M NOT SURE I’M EVER GETTING IT BACK NOW.
WHAT A COUPLE OF ASSHOLES. I LOVE THEM SO MUCH.
The Avengers are always the most fun when they’re acting like a dysfunctional trailer trash family that just happens to have superpowers and goes and saves the world now and then.
dysfunctional trailer trash avengers are my kind of people
I love this show so freaking much! The episode with Thor getting Loki to help them with Dr. Doom was quite fun too. Oh, and Hawkeye and Hulk fighting over food is hilarious too!
Arrow Season 3 SDCC Sneak Peek (x)
"A man cannot live by two names. And what does that mean? In your case? I believe it means not having any choice."
OMG Olicity alert!!!
I am so excited I can hardly speak.
The first time I read it I grabbed at it like Charlie Bucket snatching for a golden ticket somewhere behind the chocolate in the wrapper of a Wonka Bar. I didn’t know where to start. Like a classic actor I jumped in looking for LOKI on every page, jumping back and forth, reading words in no particular order, utterances imprinting themselves like flash-cuts of newspaper headlines in my mind: “real menace”; “field of obeisance”; “discontented, nothing is enough”; “his smile is nothing but a glimpse of his skull“; “Puny god” …
… Thank you for writing me my Hans Gruber. But a Hans Gruber with super-magic powers. As played by James Mason … It’s high operatic villainy alongside detached throwaway tongue-in-cheek; plus the “real menace” and his closely guarded suitcase of pain. It’s grand and epic and majestic and poetic and lyrical and wicked and rich and badass and might possibly be the most gloriously fun part I’ve ever stared down the barrel of playing. It is just so juicy.
I love how throughout you continue to put Loki on some kind of pedestal of regal magnificence and then consistently tear him down. He gets battered, punched, blasted, side-swiped, roared at, sent tumbling on his back, and every time he gets back up smiling, wickedly, never for a second losing his eloquence, style, wit, self-aggrandisement or grandeur, and you never send him up or deny him his real intelligence…. That he loves to make an entrance; that he has a taste for the grand gesture, the big speech, the spectacle. I might be biased, but I do feel as though you have written me the coolest part.
… But really I’m just sending you a transatlantic shout-out and first-bump, things that traditionally British actors probably don’t do. It’s epic.